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・ The Milk of Human Kindness
・ The Milk of Human Kindness (film)
・ The Milk of Sorrow
・ The Milk Train Doesn't Stop Here Anymore
・ The Milk-Eyed Mender
・ The Milker's Mishap
・ The Milkmaid (Vermeer)
・ The milkmaid and her pail
・ The Milkmaid of Bordeaux
・ The Milkman
・ The Milkman Murders
・ The Milkweed EP
・ The Milky Waif
・ The Milky Way (1936 film)
・ The Milky Way (1940 film)
The Milky Way (1969 film)
・ The Milky Way (amusement park)
・ The Milky Way Project
・ The Mill
・ The Mill (Burne-Jones painting)
・ The Mill (post-production)
・ The Mill (Rembrandt)
・ The Mill (TV series)
・ The Mill and the Cross
・ The Mill at Sanssouci
・ The Mill at Sonning
・ The Mill Field
・ The Mill Garden
・ The Mill Hill Sessions
・ The Mill of Good Luck


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The Milky Way (1969 film) : ウィキペディア英語版
The Milky Way (1969 film)

''The Milky Way'' ((フランス語:La Voie lactée)) is a 1969 film directed by Luis Buñuel. It stars Laurent Terzieff, Paul Frankeur, Delphine Seyrig, Georges Marchal and Michel Piccoli. Buñuel later called ''The Milky Way'' the first in a trilogy (along with ''The Discreet Charm of the Bourgeoisie'' and ''The Phantom of Liberty'') about “the search for truth."
The title of the film comes from the fact that original name for the Milky Way was the Way of St. James which directed pilgrims from northern Europe to Spain.〔Buñuel, Luis. ''My Last Sigh''. Trans. Abigail Israel. Minneapolis: University of Minnesota Press, 2003. ISBN 0-8166-4387-3. page 245.〕
Today, critical reception for ''The Milky Way'' is strongly positive.
==Synopsis==
In the film, two men travel the ancient pilgrimage road to Santiago de Compostela and meet embodiments of various Catholic heresies along the way. These religious events are based on actual historical documents. For instance, the archbishop whose corpse is exhumed and publicly burned is based on Archbishop Carranza of Toledo.〔 The film ends with the following text:
''The Milky Way'' plays with time. The two main characters often encounter individuals in the dress of various time periods throughout history, or historical events take place in the modern setting of the film, including scenes from the life of Jesus Christ. In his autobiography, Buñuel explains that he wanted to put Jesus Christ in the film because he "wanted to show him as an ordinary man, laughing, running, mistaking his way, preparing to shave — to show, in other words, all those aspects completely alien to our traditional iconography."〔
Often, these encounters involve conversations or arguments regarding a specific Catholic doctrine or heresy, and are intended to show the absurdity of making absolute statements about such topics as a "matter of fact". Two heresies prominent in the film are Priscillianism and Jansenism.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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